12 out of 12 people found the following review helpful:

RICKY GERVAIS/MEL GIBSON:SEPARATED AT BIRTH?
Englishteacherguy from ,
11th April, 2009
I was very intrigued to see whether Gervais could make the transition to the big screen - so few Brits do. Simon Pegg made it by consolidating his UK TV success in Brit movies, thereby hanging on to the thing that made him successful in the first place - the blend of humility, pathos, cruelty and irony that makes British humour unique. Whether he will have lasting success in the irony-less USA mainstream remains to be seen. Ricky Gervais's British success is based on a very specific brand of humour. He is always hinting that the cruelty of his character is actually real. Basically, he convinces as a completely unlikeable character. It's a bitter persona, with its roots in Basil Fawlty or Blackadder (neither of whom ever had a genuine romance in their TV series). I'd see him as a hit man or a serial killer before I'd think of him as lead in a romantic comedy. He'd have done better as the principal ghost in this film. The trouble is, this genre has too many hard-and-fast rules. It has to start with a flawed male (after all, it's usually the ladies who watch these things) show his redemption in the middle and end with a marriage to the babe who engineered his transformation into something marriage-worthy. This film loosely follows the plot of 'What Women Want' a fairly innocuous romcom starring Mel Gibson. That film was fun, light entertainment, but only worked because we all knew that Mel was already a good guy deep down and the film got a lot of humorous mileage out of its unique feature - the fact that Mel Gibson could hear women's thoughts. Ghost Town misplaces the focus on Gervais, giving him lots of rope to hang himself. The schmaltz of the last few scenes does not sit well with someone who has been inspiring loathing in his fans for a decade. It's like meeting the guy who mugged you last week doing community service in Mothercare. The inclusion of Ghosts in the plot is utterly pointless. The film is not about them, and they get in the way of the main plot which is 'learn to love Ricky Gervais, he is going to be a big star one day - honest'. As soon as any ghost gets on screen, Gervais shoos them away. I'd say that this film has been warped out of shape - there is no real story, just a very long 'Gervais Promo' which shows that he could do something funny in a movie, but - the lead in a romantic comedy? He's just not that kissable.