19 out of 19 people found the following review helpful:
A vigilante film worth seeing for its lead performance.
JJTimothy from ,
4th October, 2007
Left for dead after the motiveless assault that killed her fiancé New York radio host Erica Bain buys a gun. At first it's just a matter of rebuilding her confidence but a further brush with violence makes her aware of the power it bestows and her undimmed rage at her loss, at the apparent lack of police progress and simply at being made a victim finds an unhealthy outlet. The Brave One has a pretty straight-forward if not actually slim premise and one that serves many a tawdry thriller but largely succeeds thanks to Jodie Foster and Neil Jordan. Foster is always watchable and here she excels portraying Erica's agoraphobia, initial horror at her first killing and, later, flinty resolve with a skill that makes the occasional voice-over superfluous. Twisted by trauma Erica clearly finds no heartsease in her actions even as she's driven to them and, like the audience, probably realizes she'd do better to find a therapist. A character that could have been drawn with broad strokes has great depth and award nominations wouldn't be a surprise. Irish director Jordan avoids the tourist view of New York and develops a wholly suitable street-level atmosphere for Foster to play against. Together they give The Brave One an intensity that earns the film its certificate since the violence, though unflinching, is sporadic- it would hardly fill a reel but is involving unlike the bloodshed in 300 for instance, a far more violent film by any measure. Terrence Howard embodies the film's conscience playing a cop who still has passion for his job, sympathetic to Erica but also pursuing the vigilante whom many think is doing the police a favour. He certainly doesn't subscribe to that view and, for the most part, The Brave One also refuses to offer simple answers to the complex questions it asks. But then the film spoils it all- and not by playing excerpts from Erica's radio show which sounds like a lot of naval-gazing clap-trap. It settles for a cathartic but pat and contradictory climax that belongs to an altogether less thoughtful film. Marred by a last reel gear change into conventional vigilante thriller overdrive but, for most of its running time, a thoughtful, troubling drama showcasing a great actress at the top of her game.
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