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Paris, Texas (1984) Certificate 12

Paris, Texas

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Rated 3.5 stars
Average rating
(69%)
 
Starring: Nastassja Kinski | Dean Stockwell | Harry Dean Stanton | Aurore Clement | Hunter Carson | Bernhard Wicki
Director: Wim Wenders
Studio: ANCHOR BAY HOME ENTERTAINMENT
Run time: 139 mins
Genres: Documentary | Drama
Languages: English
Released: July 14, 2008

Winner of the Grand Prize at the Cannes Film Festival in 1984, Wim Wenders's PARIS, TEXAS tells the haunting story of an amnesiac (Harry Dean Stanton) and his struggle to rebuild his shattered life. Featuring a story by Sam Shepard and a renowned score by Ry Cooder, the film also stars Nastassja Kinski and Dean Stockwell.

Rating of 5 stars out of 5
Radio Times

Character actor Harry Dean Stanton enjoys a rare leading role in German director Wim Wenders's emotionally charged road movie, based on a story by American playwright Sam Shepard. The odyssey begins as restless drifter Travis Anderson (Stanton) walks out of the desert after a four-year absence and is reunited with his small son (Hunter Carson), who's being cared for by Travis's brother (Dean Stockwell). Travis then sets out to reclaim his family life by seeking out his estranged wife and the boy's mother (Nastassja Kinski), now a peep-show stripper. Ry Cooder's haunting guitar score gives the film an immediacy that makes it seems as though it's being ad-libbed — a heart-rending confrontation between Stanton and Kinski does, indeed, sound as though it's being made up on the spot — while Wenders brings a refreshing outsider's eye to bear on this metaphor about rootless America.

Rating of 3 stars out of 5
Halliwell's Film Guide

Long, enigmatic but generally fascinating puzzle-without-a-solution, about people who never find what they want.

Highest rated reviews

12 out of 14 people found the following review helpful:

Rated 5.0 stars
Brilliantly evocative piece of cinema

David Jenkins from Birmingham, England, 8th December, 2003

Wim Wenders as a European looking in on America captures the essence of it that captivates the imagination of so many foreigners; the landscape, the andering nature of the whole country, the gas stations and neon lights, boxes of ice and huge soda's for a dollar nineteen and couples it with a beautiful story of families, of redemption of loss and regret. Breathtaking and wonderful

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9 out of 9 people found the following review helpful:

Rated 5.0 stars
A visual poem

juno from London, 5th March, 2004

Paris Texas is a gorgeous visual poem of how Wim Wenders sees North America. Through the tale of a man dealing with his disturbed past we are feasted with beautiful images, almost with the pace of photographic stills. Ry Cooder's soundtrack music adds immensely to this sense of cinematic poetry.

Paris Texas is not a film for everyone, it certainly will not satisfy film viewers educated on expensive Hollywood productions, it has its own quiet pace and needs to be seen with full attention and time.

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7 out of 8 people found the following review helpful:

Rated 5.0 stars
If you can't hack slow films don't watch this

McClennan from , 7th June, 2005

If you don't like slow films avoid this because it's painfully slow at times, possibly even over long yet it's also very rewarding if you can stick with it. Found wandering in the desert Travis Anderson has amnesia and the film follows him as he tries to remember and recover from the preceding four years. Great performances all round compliment the great cinematography. It takes its time to draw you in however when you're in, it's compelling and one of the most emotionally draining films that I've seen. A truly beautiful film.

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5 out of 5 people found the following review helpful:

Rated 5.0 stars
a Wim Wenders classic

Andrew from London, 24th September, 2004

one of Harry Dean Stanton's great performances, and a moving story of family breakdown and attempted reconciliation.

Ry Cooder's soundtrack for this movie is moody and understated yet contributes brilliantly to the sense of desolation in the desert, and the emotional desolation of Travis as he tries to put his life back together.

This isn't rapid action, instant gratification stuff. But if you liked Lost in Translation, you'll almost certainly love this.

Only downside is Natassja Kinski's Texan accent. The cinematography, HDS's acting and the soundtrack are all outstanding.

I haven't seen this since it came out 20 years ago - I loved it then, and it's really stood the test of time.

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Most recent reviews

Rated 4.0 stars
Memorable Film

A Customer from Sheffield, 21st March, 2010

Out of the many films I have rented over the last couple of months this one stands out the most. Very moving near the end, great views of America, I especially liked the view from the house in LA. Nastassja Kinski was particularly hot - I am surprised I have not seen her in other films.

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Rated 4.0 stars
The American Friend

Wickywoo from from Selkirk, 5th September, 2008

Another visual masterpiece. Relys much on the unspoken, dilaogue isn't fast paced which means you can digest the beauty of this film which has a melacholic tone but is also quite heart warming and darkly comical at times. I recommend this film!

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Rated 1.0 stars
Customer Review

A Customer from UK, 23rd June, 2008

The storyline is unconvincing and without logic. The acting is amateurish; characters are stilted in behaviour, their speech separated with long pauses which for me doesn't make pregnant with meaning, just boring. Camera-work is posed, self-conscious and arty - loads of shots of Harry Dean Stanton (Travis) in profile musing, agonising craggily, driving through the night etc etc. Some vistas. And Ry Cooder's score matched the film.

Yeh, "...completely pointless and a waste of time..... "

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2 out of 3 people found the following review helpful:

Rated 0.0 stars
absolute shit

A Customer from Yorkshire, 14th February, 2007

This is the slowest film I have ever seen. If I had only two hours to live I'd watch this; those two hours would feel like years. When I first watched this film it was three o' clock. Five hours later I looked at the clock and it was only ten past three.

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