10 out of 11 people found the following review helpful:
A slight but enjoyable fantasy.
JJTimothy from ,
18th January, 2008
Mr. Magorium, 243 years old proprietor of the eponymous magic toyshop, decides to pass it on to his assistant Mahoney and hires a straight-laced accountant, Henry, to get the books in order. Mahoney doesn't like the idea, nor does the shop which has a mind of its own and throws tantrums, but Magorium has his reasons. This is the directing début of Zach Helm, writer of Stranger Than Fiction, working from a script he wrote years ago and which does show signs of being an early effort. A framing device that presents the film as a memoir gives the feel of an adaptation but it would have been a slim volume with sequences of effects heavy slapstick padding out the running time. Not that these scenes aren't enjoyable mind you and Orson Welles said that a film studio was the best train set a boy ever had. With an entire toyshop to play with it's hardly surprising that Helm should get distracted now and then. When Helm does focus his attention on the characters he gets things right starting with Mr. Magorium himself- a twinkling, lisping eccentric who could have been horribly irritating. Mahoney is a frustrated composer who loves her job but worries that life is passing her by whilst Henry buckles down to working for these lunatics and grows to like them and the shop in spite of himself. Even a friendless child who frequents the shop is likeable and has a distinct personality rather than existing only to add syrup or slapstick. As writer and director Helm gets their interaction bang on with Magorium and Mahoney's beautifully written and simply staged final scene together the outstanding example of this. A relaxed Dustin Hoffman clearly enjoys himself as Mr. Magorium cleverly playing him as in touch with his inner child but not childish. Natalie Portman as Mahoney is appropriately cute and elfin but clearly has too much going on between her ears to really get away with wide-eyed and wonder-struck. Jason Bateman reprises his exasperated-but-coping-anyway act from Arrested Development and shines in moments when Henry comes out of his shell. For what it's worth I thought the film might benefit from Portman and Bateman switching roles- Bateman's straight face would have counterpointed the occasional chaos nicely. A scattered fable the whimsy is forced now and then and, even with its brief running time, the effects set-pieces seem like longueurs but there's fun to be had if you're in the mood.
Read all highest rated reviews