12 out of 12 people found the following review helpful:
Wonderful but too short
A Customer from London,
12th September, 2007
Great film, lovingly made. But, with all the interviews and scope of Scott's work, it's frustrating that it is only 90 mins. I don't think an extra 10 mins at least would have been too excessive. Oh, and please don't listen to Paula Westwood. Firstly she questions the validity of all of Scott's work next to Walker Brothers, which is pure nonsense and totally ignores his first 5 classic solo albums, which are perfectly palatable to Walker Brothers fans. Walker Brothers were great, but ultimately, barring a few self-written songs, a covers band. Scott's first five albums take the similar concpet of orchestral led ballads but show an amazing songwriter gradually emerging, adding a depth that the Walker Brothers never had. Secondly, she totally dismisses Scott's work since the late 70s. Certainly it is indeed an acquired taste, but I think it is some of the most forward looking, innovative music around. There really is nothing like it. And even if I didn't like it, like Jarvis Cocker says in the film, I'm still glad that someone has gone to these remote musical places and planted a flag to say that they exist. Moreover, Paula seems to think that the artist is obligated to think of the audience when creating. Though not necessarily a bad thing to do, it is in no way a pre-requisite to great art. Most of the best films/books/music etc have been made by people totally uncompromising in their vision. At no point does Scott Waker come across as pretentious or 'up his own you know what', because pretentiousness is doing something just for effect and I believe that Scott means everything he does, that it honestly comes from him. By all means, call it bad music if you think so, but don't call it fake and pretentious.
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