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The Man Who Wasn't There (2001) Certificate 15

The Man Who Wasn't There
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Rated 3.5 stars
Average rating
(68%)
 
Starring: Billy Bob Thornton | Frances McDormand | James Gandolfini | Michael Badalucco | Katherine Borowitz | Jon Polito | Richard Jenkins | Christopher McDonald | Tony Shalhoub | Scarlett Johansson | Adam Alexi-Malle
Director: Joel Coen
Studio: ENTERTAINMENT IN VIDEO
Run time: 111 mins
Genres: Drama
Languages: English
Released: April 22, 2002

The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a slow-moving, barely talking barber who doesn't seem to want much out of life. He has virtually no relationship with his wife, Doris (Frances McDormand), who has more fun with her boss, Big Dave (James Gandolfini). But when a strange character (Jon Polito) lets it be known that he's looking for a silent partner to finance his dream business (something he calls dry cleaning), Ed sees a possible way out of his doldrums. Just like any good James M. Cain novel (which the Coens cited as a major influence on the story), blackmail, deceit, violence, murder, and double crossing ensue, all with the magic Coen twists and turns.
THE MAN WHO WASN'T THERE looks simply magnificent; the cinematography, the outfits, and the set designs perfectly capture this intriguing post-WWII paranoid world embodied by misfits, cheats, simpletons, con men, and other ne'er-do-wells. Thornton, who also supplies the wonderfully droll narration, gives a bravura performance as Ed, the everyman who has never strayed from the straight and narrow--until now. Always with a Chesterfield in his mouth, he wanders from scene to scene almost as if he's a spectator--even though he's at the center of everything that goes on. The supporting cast, as usual in a Coen brothers film, is outstanding, including McDormand, Gandolfini, Polito, Tony Shalhoub, Richard Jenkins, and Scarlett Johansson as a young potential piano prodigy.

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Rating of 5 stars out of 5
Radio Times

It would be simplistic to call this period crime drama from the Coen brothers a pastiche of film noir. Certainly it is set in small-town California in 1949 and involves an ordinary Joe embroiled in a murder plot — and it's shot in black and white — but the veneer of homage masks something far more complex and clever. The story, in which Billy Bob Thornton's inscrutable barber Ed Crane attempts to escape from his humdrum life through blackmail, is typical of the Coens. But, instead of the comic mania of Raising Arizona or The Big Lebowski, we see one man's decline told in slow, meditative terms. With its dash of flying-saucer paranoia, it's also tempting to interpret the film as a broader examination of western existential dread. Sublime acting from Thornton and Coen regular Frances McDormand, aided by the stunning photography of Roger Deakins, makes this movie the most introspective in the Coen canon. It's certainly on a par with Fargo, if a lot more demanding of a modern audience.

Rating of 3 stars out of 5
Halliwell's Film Guide

Stylish, stylized, highly polished, and leisurely thriller in the tradition of film noir, in which the guilty are undone by their own failures of character; it is impeccably written, photographed and acted.

Highest rated reviews

28 out of 29 people found the following review helpful:

Rated 2.0 stars
The Clever Coens Twist on Film Noir

LoganV from Fife, 3rd February, 2004

First off, the movie is worth a rental for the visuals alone. Cinematographer Roger Deakins out does himself here, using beautiful shades of grey to paint the Coen brothers story of a world without moral blacks and whites.

Secondly, rent it to see a stellar performance by Billy Bob Thorton. Rather taciturn themselves, the Coens create the ultimate quiet anti-hero, Ed Crane (Billy Bob) who barely says a word as he moves through every scene of this existential thriller.

'The Man Who Wasn't There' has the classic noir feel you would expect from 'Double Indemnity', but there's a lot more under the surface. Watch carefully as the film explores questions of morality, reality, and the ultimate question, shouted in the pivotal court scene: "What kind of man are you?" It's not the feel good hit of the summer, nor is it the Coen's best, but it's a solid entry in their film resume.

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11 out of 13 people found the following review helpful:

Rated 1.0 stars
Don't bother to rent this

majortom2001 from , 27th September, 2007

I was deeply deeply disappointed by this film. It is beautifully shot (in black and white) well acted but what was the point of this film ? I hired it on the strength of it being a Coen brothers film with great actors including Billy Bob Thornton, James Gandofini etc in it but it was a waste of their talent and a waste of time. Boy does this film drag on. And why? What does it prove ? Don't bother to rent this

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7 out of 7 people found the following review helpful:

Rated 4.0 stars
Very well shot

A Customer from Inglewood, 24th May, 2005

The Man Who Wasn?t There is a film about a hairdresser, who, in typical Coen Brothers style, gets himself in a bit of a fiddle, involving murder, double-crossing and strange relationships. The film is beautifully shot in black and white by Roger Deakins and the period setting is well achieved. It is well acted and unpredictable, but some plot lines seem pointlessly weird (U.F.O.s) and the apparent humour is unlikely to be picked up by those unfamiliar with noir films like Double Indemnity. Billy Bob Thornton is perfect for the main role as the lonely barber, and Frances McDormand and Scarlett Johansson lend stellar support. On the whole, the film was very enjoyable and interesting but tough to fully comprehend.

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6 out of 6 people found the following review helpful:

Rated 5.0 stars
Proper Noir, I tell thee

JohnC24 from Cheshire, 26th May, 2005

James M. Cain once wrote that he thought that the appeal of his books lay in the reader realising that his characters could not act on their desires and survive.

Of course, in the land of "real" noir, those desires are for fabulous jewel encrusted birds, dames that could make a bishop kick a hole in a stained glass window, or simply money. The main character in "The Man Who Wasn't There" wants to be a drycleaner - and the seeds of his destruction are sown right there.

Odd though the premise sounds, the Coens pull it off, and on a second viewing, the downward spiral of anti-hero Ed Crane seems inevitable, although I have to admit that I didn't see most of it coming first time 'round. Crane is a character very much in the mould of Cain's desperate, doomed protagonists, with the exception that Crane is far more passive in the face of the events that he's unleashed, something that rings true for a character who seems to have spent most of his life doing what others expected of him, and not making waves. Whilst that might sound dull, the events that the film throws at him, and Thornton's superb performance keep the viewer engaged in the story.

A terrific film.

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Most recent reviews

Rated 0.0 stars
Subtitles

A Customer from Trowbridge, 31st January, 2010

I need subtitles. There were no subtitles even though this is a relatively new film. Very disappointing.

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Rated 4.0 stars
Thoroughly engaging

biz812 from from Crystal Palace, 21st December, 2009

I found this modern film noir filled with excellent cinematography, convincing characters and an interesting and compelling story that was thoroughly engaging. Definite thumbs up from me on this one.

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Rated 2.0 stars
The Man Who Wasn't There

slc from , 30th September, 2009

Started off well and really enjoyed the first 30 minutes, then the film lost its way a bit and dragged on. In the end I just wanted the film to end...

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Rated 5.0 stars
A modern classic

norfolkdave from , 20th September, 2009

Wonderful, just wonderful. You can always bank on the Cohen Brothers . Whatever genre they choose to go for they always seem to manage to come up with something totally fresh, original and, of course, quirky. Noir hasn't been this deliciously compelling and creepy since The Third Man. Every use of light and shade is a visual treat, like Ed Crane the script doesn't waste a word and the casting is wonderful. How do they do it?

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