144 out of 150 people found the following review helpful:
Zodiac
Latka from from Swansea,
7th June, 2007
David Fincher retreads the serial killer genre with his latest offering Zodiac. Following the true-life case of the killings in the San Francisco area in the late 60's and 70's, Zodiac is not your usual true crime film. Jake Gyllenhaal plays Robert Graysmith, a cartoonist at the San Francisco Chronicle, who becomes obsessed with discovering the identity of the killer who has labelled themself 'ZODIAC'. When the killer begins sending letters to the newspaper, Graysmith takes an active interest in the case. But this is not just Graysmith's story, it is also the story of crime reporter Paul Avery (portrayed superbly by Robert Downey Jr) and lead police officer David Toschi (Mark Ruffalo in his best performance to date). You get to see how the crimes affect the three and how their lives were changed because of the killings and subsequent hunt for the killer. The supporting cast is a who's who of acting pedigree, from Brian Cox's lawyer to Philip Baker Hall as a document's expert. Many true crime films rely on heavy violence to tell the story, Zodiac does not. Whilst you see some of the murders, they are never portrayed in a gratuitous or exploitative way. The focus on the film being on the obsession of the main characters rather than the sensationalism of the crimes. Even though the film has a running time of 158 minutes, the pacing of the film means that you never get bored. It is so tightly edited that not a moment of screen time is wasted. Added to that, you have a constant undercurrent of suspense that puts many modern horror films to shame. There are some scary moments, and none more than the fact that this is a true story. Fincher is a master of visual style and this film is no different. The film looks like a seventies film (even down to classic 70's Warner and Paramount logos at the start). The film also stays true to the source material, Graysmith's book 'Zodiac', and does not veer off into any moments of dramatic license. It is fact based, and because of this engages the audience more. This is my film of the year so far. It is thought provoking and so well made it should be a blue print for how true crime films should be made. Great performances by all involved and the attention to detail is amazing (even down to radio adverts for the Rolling Stones' Altamont gig). The film is up there with the best of true crime films, such as The Boston Strangler and To Catch A Killer. This is David Fincher, and his cast, on top form.
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