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All About Eve (1950) Certificate U

All About Eve

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Rated 4.0 stars
Average rating
(76%)
 
Starring: Bette Davis | Anne Baxter | George Sanders | Celeste Holm | Gary Merrill | Hugh Marlowe | Thelma Ritter | Marilyn Monroe | Craig Hill | Eddie Fisher | Barbara Bates | Walter Hampden | Eugene Borden | Steven Geray | Gregory Ratoff | Randy Stuart
Director: Joseph L. Mankiewicz
Studio: 20TH CENTURY FOX HOME ENTERTAINMENT
Run time: 134 mins
Collections: 100 must-see movies | Best Picture Oscar Winners
Genres: Drama
Languages: English
Hearing-impaired: English
Subtitles: Czech, Danish, English, Finnish, Hebrew, Hungarian, Icelandic, Norwegian, Polish, Portuguese, Swedish
Released: March 04, 2002

Given that she throws tantrums, gets intoxicated, and pushes people away when she needs them the most, it's a wonder New York theater star Margo Channing has any true friends. But when Eve, Margo's young and innocent-seeming protegee, schemes to gain both the affection of Margo's friends and a starring role originally written for Margo, the actress discovers just who is in her corner--and who is not. Released in 1950, ALL ABOUT EVE's power radiates undimmed through the years. The role of aging stage star Margo Channing is considered by many to be the best of Bette Davis's career, as Davis reveals and conceals Margo's vulnerabilities with a skill seldom seen onscreen. Anne Baxter is also marvelous as the subtle Eve, whose glowing enthusiasm masks a cold, calculated ambition. Both actresses garnered Best Actress Oscar nominations, and the film in its entirety took 14 nominations, winning seven of them, including Best Picture, Best Director, and Best Screenplay. George Sanders was awarded Best Supporting Actor for his biting portrayal of potent, nasty theater critic Addison DeWitt. Consistently listed among the best films of all time, director-writer Joseph L. Mankiewicz's ALL ABOUT EVE shouldn't be missed; the acting, writing, and directing are unequivocally brilliant.

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Rating of 5 stars out of 5
Radio Times

“Fasten your seat belts it's going to be a bumpy night!”, and with the acerbic talents of multi-Oscar-winning writer/director Joseph L Mankiewicz and his magnificent cast — the superb Bette Davis (replacing, thankfully, an ailing Claudette Colbert), the acid-tongued George Sanders, Celeste Holm, Thelma Ritter, Marilyn Monroe — it certainly is. On its original release, this tale of the theatre was criticised in some quarters for being over-wordy and relentlessly arch, though today's audiences tend to revel in its wit and cynicism. The dialogue is especially clever and the performances are first-rate. If the framing flashback structure seems a little contrived, or if Anne Baxter's Eve doesn't quite have the killer instinct required for the role, these are minor blemishes in a classic movie, whose qualities remind us that there once was a Hollywood where such sophisticated treats could be made.

Rating of 4 stars out of 5
Halliwell's Film Guide

A basically unconvincing story with thin characters is transformed by a screenplay scintillating with savage wit and a couple of waspish performances into a movie experience to treasure.

Highest rated reviews

14 out of 14 people found the following review helpful:

Rated 5.0 stars
They don't make 'em like this anymore.

eternalalien from Sheffield, England, 26th February, 2004

A literate witty movie that's truly a film classic. It won 3 Oscars and was nominated for 8 more. You can see why. There are some wonderful performances: George Sanders is scathing as critic Addison de Witt and Bette Davis is wonderful as ageing theatre star Margo Channing. The dialogue is beautifully savage and witty and oozes class. A modern day equivalent might be the darkly humourous Wonder Boys. Also of interest is the early screen appearance of Marilyn Monroe as an actress from: 'The Copacabana school of acting'. There're just too many fantastic one-liners to name. If you're looking for a movie experience to treasure then rent this film, and:'Fasten your seatbelts, it's going to be a bumpy night.'

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11 out of 11 people found the following review helpful:

Rated 5.0 stars
All about quality

johnnyfraudster from greater london, 17th May, 2004

All about Eve is about as close as you can get to a perfect film.

A faultless script, stunningly acted, brilliantly realised: It has no weak links. This film was made in an era of Hollywood where you could have unsympathetic characters in the lead roles and not have a happy, sentimental ending. A time when all that counted was telling the best, most intriguing story possible.

If only new Hollywood would take heed instead of churning out lame clap-trap to an audience, who they're convinced only want sentimental dross - what ever gave them that idea and when did they stop thinking that people would want to watch well executed quality stories?

All about Eve shines through at every step. The characters are complex and intriguing. The acting is a joy to behold. The twists and turns leave you reeling with expectation. Bette Davis is a goddess. It perfectly demonstrates the vacuous and ultimately worthless pursuit of fame in a fickle society.

Furthermore all of its commentary and satire are as pertinent today as they were then, if not more so. a final note to today's studios - stop making pointless brainless blockbusters full of rubbish CGI and sick-inducing sentimentality and bring back truly engaging satisfying films like All about Eve.

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10 out of 11 people found the following review helpful:

Rated 5.0 stars
A true classic

superstew from Twickenham, 7th March, 2004

If you're in the market for a true classic then "All About Eve" should be at the top of your list. This movie absolutely drips with Hollywood glam, from beginning to end. There is no shortage of sharp tongued, witty dialog, plenty of back-stabbing, and deceit. I highly recommend this movie to anyone who love's classics.

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9 out of 9 people found the following review helpful:

Rated 4.0 stars
A

A Classical Actor from Deep in the valleys of stunning Mid Wales., 1st June, 2005

Bette Davis is always interesting to observe but essentially this is a study in the 'kiss-ass' art of getting ahead in showbiz and as such the focus is on Anne Baxter's extraordinary performance. Take it from me, if you want to know what 98% of actors and actresses do to desperately get ahead, then view this film. It may be old, but on DVD the quality of the reproduction is splendid. It's as if this film were shot yesterday but in black and white. It's a long tale, but the dialogue is brilliantly witty (shades of today's 'Will and Grace'), the central performance (Baxter's Eve Harrington), engrossing, and the moral punch is strong.

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Most recent reviews

Rated 0.0 stars
What a wonderful film

pixie from , 28th January, 2010

What a change to watch an old movie - must watch more!! All about Eve is a classic and Bette Davis was brilliant in it, ageing star who is being pushed out by her own assistant... Loved the clothes, the women were so glamorous, real old Hollywood.

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Rated 5.0 stars
old, classic cinema at its best

pponias from , 19th October, 2009

as another reviewer put it for people who love cinema this is as compulsory as a film can get. a 1950 release, wiped the floor in the oscars and became one of these truly classic films that will stay in the pantheon forever..unfortunately overshadowed another greeeeat film of the same year 'sunset boulevard' which if not as good -and thats questionable-was still up there. outstanding script, directing and acting, scintillating dialogue, beautifully cynical and relevant to any given moment in time, its not to be missed....

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Rated 5.0 stars
"It's funny the things you remember and the things you don't"

LeSol from , 13th August, 2009

A most sophisticated psychological cat fight for fame. 1950 Multi-award winning later noted by academics as the first mainstream film with Lesbian undertones, stars Bette Davis and Anne Baxter. Based on the short story 'The Wisdom of Eve,' by Mary Orr.

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Rated 4.0 stars
All about the way it's made

Mark from Isle of Skye, 28th July, 2009

OK, you know this is THE classic story of ruthless ambition in the acting world. As you watch, think about how it's constructed. It's not fly on the wall reality - rather it's highly mannered. The characters are mostly stereotypes - all critic Addison DeWitt has to do is sound one-dimensionally acerbic and arch and the role plays its part perfectly. The script is as intensely sugared as Oscar Wilde, crammed with one-liners and instant repartee. It's all so appropriate. And there's more. The theatre is hermetically sealed in a world of its own. We never see the rest of humanity. When we see Broadway we're more aware of the theatre signs than of any member of the public walking. We're told Newhaven, Connecticut ,consists - to theatre people doing an out of town opening - of a short stretch of pavement between the Shubert Theatre and the Taft Hotel, surrounded by what appears to be a small city. That's exactly and all we see. The only other exteriors are taxis - and we never see a driver. An object lesson in sums and parts! Just one thing I don't really get - why, at the end, does the oh-so-calculating Eve accept so readily the stalker about to do to her what she did herself. It may have symmetry, but can we believe it? Perhaps that one blemish highlights the near perfection of the film.....

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