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The Misfits (1961) Certificate PG

The Misfits

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Rated 3.5 stars
Average rating
(64%)
 
Starring: Clark Gable | Montgomery Clift | Marilyn Monroe | Eli Wallach | Estelle Winwood | Kevin McCarthy | Thelma Ritter
Director: John Huston
Studio: MGM ENTERTAINMENT
Run time: 120 mins
Genres: Drama
Languages: English
Dubbed: French, German, Italian, Spanish
Hearing-impaired: English, German
Subtitles: Danish, Dutch, English, French, Italian, Norwegian, Spanish, Swedish
Released: November 26, 2001

The final film of stars Clark Gable and Marilyn Monroe is an elegy for the death of the Old West from writer Arthur Miller and director John Huston. Gable stars as Gay Langland, an aging hand traveling the byways and working at rodeos with his two comrades, Guido (Eli Wallach) and young Perce Howland (Montgomery Clift). The three men come up with a plan to corral some misfit mustangs and sell them for dog food, but Gay's new girlfriend Roslyn Taber (Marilyn Monroe), a high-minded ex-stripper who has just divorced her husband Ray (Kevin McCarthy) in Reno, is appalled by the plan. Although both Guido and Perce are also in love with Roslyn, she stands by Gay, sure that in the end he will do the right thing, even as he and his pals begin their planned roundup.~ Karl Williams, All Movie Guide

Rating of 4 stars out of 5
Radio Times

This drama from John Huston is more of a mausoleum than a movie. The last film of both Marilyn Monroe and Clark Gable, and some might say containing the last real performance by Montgomery Clift, it went from box-office flop to cult status within the space of a year. Written by Monroe's then husband, Arthur Miller, it's a grey, solemn and at times pretentious piece about three drifters who hunt horses destined to become pet food. Somehow the flat, arid Nevada landscape mirrors the characters' bleak existence and sets the overall mood of despair and depression. Dogged by various production problems (Monroe's emotional upheavals, Clift's substance abuse, United Artists freezing the budget, Huston's gambling exploits and more), it's a film that's easy to admire — especially for Gable's rugged charm — but so hard to enjoy fully.

Rating of 1 stars out of 5
Halliwell's Film Guide

Ill-fated melodrama whose stars both died shortly afterwards; a solemn, unattractive, pretentious film which seldom stops wallowing in self-pity.

Highest rated reviews

7 out of 7 people found the following review helpful:

Rated 4 stars
Perfect Fit

Lighthouse from , 28th February, 2005

Arthur Miller wrote this film for his wife Marilyn Monroe. But by the time they started making the film their marriage was on a downward spiral and Monroe was sick. She rarely turned up on the set on time and when she did she was incapable of working. Clark Gable was left waiting with the rest of the cast in the hot sun. Gable ended up doing his own stunts and that probably contributed to his early death. But like the true professional that he was he waited until the film was over to collapse and die.

John Huston must have thought that he was never going to complete the film, but he did and it is a classic. From the opening credits to the haunting music the film is a fine example of the true art of film making. The characters are well realised and the story well paced.

A fine film with great acting from all involved. Great stuff.

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6 out of 6 people found the following review helpful:

Rated 3 stars
Last but not least for Marilyn

BobbySiney from , 10th December, 2007

I discovered The Misfits in a Marilyn Monroe boxset and frankly, she was the only reason this picture originally caught my attention. But I'm glad I gave it a chance. Up until the time I saw this film, I’d only ever seen Marilyn play comedic roles in romantic comedies. The chic but vulnerable sexy blonde she portrayed in classics such as Some Like it Hot and The Seven Year Itch was her trademark and it was a part she mastered expertly over the years. But this picture was different. Marilyn took on the role of lovelorn Roslyn Taber in this drama; who was just as vulnerable - and arguably as naïve - as Sugar Kane, her character from Some Like it Hot. Roslyn is an impressionable and beautiful young woman, whom three country chums befriend. Each fall for the sexy stranger but all three men have their own unresolved personal problems protruding from their past, leaving Roslyn feeling uncertain and at times, smothered by each of them. When I thought about The Misfits and attempted to form opinions on the film, I concluded that Marilyn’s performance in this serious role proved that she was more than the ‘dumb blonde’ stereotype some had her down as. She was an actress of great talent and it was refreshing and fascinating to see her in such a challenging part. For me, she passed with flying colours and although personally, I enjoyed Some Like it Hot more than The Misfits it’s definitely a worthwhile two hours in front of the television to see a new dimension to the delightful and iconic Marilyn Monroe.

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4 out of 4 people found the following review helpful:

Rated 4 stars
The end of greatness

Ollie9751 from Dumfries & Galloway, 23rd September, 2004

This film is agruably the seminal film that marks the end of the golden era of Hollywood.

The playing of all three leads is wonderful and given added poignancy by knowing that it was the last celluloid outing for Monroe and Gable, and that Montgomery Clift too had only a few years of his troubled life left. The story is slight but ambitious, the direction spot on. Altogether a film that no serious buff should be without - I bought my copy immediately after viewing the rental.

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4 out of 4 people found the following review helpful:

Rated 4 stars
Really interesting film

A Customer from London, 6th September, 2003

I enjoyed this film very much even though it was not what I was expecting from Marilyn, who plays a very sensitive city girl. When moving to the country after a divorce she hooks up with a couple of cowboys and things change. It's a very thought provoking and sensitive film.

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Most recent reviews

Rated 5 stars
The Misfits

wearl from from Great Missenden, 26th March, 2009

A fantastic film with 3 great legends. Clift is the master actor, and I wish more people knew about his talent. The film has so much feeling and subtle messages to the viewer.

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Rated 3 stars
MISFITS

A Customer from EDINBURGH, 14th October, 2008

A film that was fraught with problems at the time of its production but endures really as a curio today . Its reputation has been enhanced by it being the last film gable and monroe were involved in , not to mention the self destructive lifestyles being enjoyed by actors and director . Written by monroes husband arthur miller clearly to give her a more serious role to play its partially sucessful. Like most of millers stuff its exceptionally gloomy and hard going although here its coupled with being highly pretentious. The film concerns 4 misfits , a drifter, a divorcee, a pilot and a dispossessed rodeo star who all have huge sorrow in their lives but struggle to remain outside of society . The endless philosophying of the characters must have been radical for the time but huston throws in the occasional shot of marilyns ass to keep the punters in their seats - but the film never really ignites until the last 30 mins when hunting horses in the bleak nevada desert everything comes to a head for the protaginists . Intense in places , not always in a good way but masterfully directed by huston , and boasting a superb climax its worth a watch but seems a little unwieldy and overrated in places . The acting is superb in particular by clark gable and eli wallach but im not convinced monroe was right for the part she played although she was decent enough .

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Rated 4 stars
Sweat and Dust

CineLanguage from from London, 9th April, 2008

Another enjoyable and leisurely paced film from John Huston. Always a pleasure to watch Clark Gable and Marilyn Monroe sparkles as well. Overall classy with good atmosphere and locations and as with many John Huston films well worth watching again.

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Rated 5 stars
edgy and brilliant

A Customer from London, 23rd December, 2007

A true classic, every bit of dialogue was essential. Few special effects by today's standards - so tension and story development totally reliant on acting and directing. Shame the main actors could not have lived longer to enjoy it - might have also enabled people to take M Monroe a little more seriously.

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