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James Ivory directed this quietly moving film set just prior to World War II. On the large English estate of Lord Darlington (James Fox), a disciplined butler, Stevens (Anthony Hopkins), devotes himself to his duties with rigorous dedication. Like his father (Peter Vaughan) before him, Stevens lives to serve--to bring order and certainty to the estate's minutiae. Though Stevens has the opportunity to break free of this mold in the form of a romance with the spirited housekeeper, Miss Kenton (Emma Thompson), he chooses to remain within the safe structure of the household, even one that has misguided loyalties to Nazi Germany. Christopher Reeve and Hugh Grant costar as men hoping to show Lord Darlington the danger of his allegiances. THE REMAINS OF THE DAY is Merchant-Ivory's follow-up to HOWARDS END, which also starred Hopkins and Thompson; both actors were nominated for Academy Awards for their roles as dutiful servants in the later film. |
This impeccable adaptation of Kazuo Ishiguro's Booker Prize-winning novel stars Anthony Hopkins as the emotionally repressed butler and Emma Thompson as the housekeeper he possibly loves. Framed in flashbacks, the story is an English twist on Jean Renoir's classic La Règle du Jeu, a broad view of a narrow class of aristocrats on the verge of self-destruction. Co-starring James Fox as a fascistic English lord and Christopher Reeve as an American diplomat (the past and present owners of Darlington Hall), it is as much a study in power and politics as it is Hopkins's blinkered view of the world from behind the gleaming silver salvers. The 1930s and 40s settings are immaculately staged, and, unlike James Ivory's earlier dramatisations of EM Forster, this picture has real backbone: Ivory's direction is alive to every nuance and chink of the sherry glasses.
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Halliwell's Film Guide
An artful, nicely composed study in repressed emotions, stiff upper lips and class attitudes; in the final analysis, though, it seems no more than P. G. Wodehouse re-played as tragedy.