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The Remains Of The Day (1993) Certificate U

The Remains Of The Day
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Rated 3.5 stars
Average rating
(71%)
 
Starring: Anthony Hopkins | Emma Thompson | James Fox | Christopher Reeve | Peter Vaughan | Hugh Grant | Michael Lonsdale | Tim Pigott-Smith | Lena Headey
Director: James Ivory
Studio: SONY PICTURES HOME ENTERTAINMENT
Run time: 128 mins
Genres: Drama
Languages: English
Subtitles: Arabic, Bulgarian, Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hebrew, Hindi, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish
Released: October 22, 2001

James Ivory directed this quietly moving film set just prior to World War II. On the large English estate of Lord Darlington (James Fox), a disciplined butler, Stevens (Anthony Hopkins), devotes himself to his duties with rigorous dedication. Like his father (Peter Vaughan) before him, Stevens lives to serve--to bring order and certainty to the estate's minutiae. Though Stevens has the opportunity to break free of this mold in the form of a romance with the spirited housekeeper, Miss Kenton (Emma Thompson), he chooses to remain within the safe structure of the household, even one that has misguided loyalties to Nazi Germany. Christopher Reeve and Hugh Grant costar as men hoping to show Lord Darlington the danger of his allegiances. THE REMAINS OF THE DAY is Merchant-Ivory's follow-up to HOWARDS END, which also starred Hopkins and Thompson; both actors were nominated for Academy Awards for their roles as dutiful servants in the later film.

Rating of 5 stars out of 5
Radio Times

This impeccable adaptation of Kazuo Ishiguro's Booker Prize-winning novel stars Anthony Hopkins as the emotionally repressed butler and Emma Thompson as the housekeeper he possibly loves. Framed in flashbacks, the story is an English twist on Jean Renoir's classic La Règle du Jeu, a broad view of a narrow class of aristocrats on the verge of self-destruction. Co-starring James Fox as a fascistic English lord and Christopher Reeve as an American diplomat (the past and present owners of Darlington Hall), it is as much a study in power and politics as it is Hopkins's blinkered view of the world from behind the gleaming silver salvers. The 1930s and 40s settings are immaculately staged, and, unlike James Ivory's earlier dramatisations of EM Forster, this picture has real backbone: Ivory's direction is alive to every nuance and chink of the sherry glasses.

Rating of 2 stars out of 5
Halliwell's Film Guide

An artful, nicely composed study in repressed emotions, stiff upper lips and class attitudes; in the final analysis, though, it seems no more than P. G. Wodehouse re-played as tragedy.

Highest rated reviews

25 out of 26 people found the following review helpful:

Rated 4.0 stars
A winner from the reliable Merchant and Ivory team

A Customer from Wales, 10th June, 2004

Beautiful to watch, this story of a repressed love is played perfectly by Anthony Hopkins; and Emma Thompson, whom I normally find a grossly overated lighweight, holds her end up surprisingly well. The background of the household of a pre-war aristocrat, with its social distinctions and above and below stairs schism is well depicted by a convincing supporting cast. The period really does come alive. Fox is excellent as the well meaning but naive Lord Darlington, and Hugh Grant shows in his later scenes how good an actor he could of been, had he not based his career on rehashing the light-comic foppish turn of his early ones.
Every film worth its salt should have at least one defining scene that will linger long in the memory even if all else fades. Here it's the 'book scene', where Thompson catches Hopkins reading a book in his spare time, but he's reluctant to say what it is... The scene's a masterclass in composition and acting, and the emotional charge will leave you drained.

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13 out of 14 people found the following review helpful:

Rated 4.0 stars
Truly remarkable performance

Andyhjam from from Stockport, 15th September, 2004

Merchant-Ivory delivers a special tale of hidden emotion using their own particular literary cinematic style.

Recounting the post Great war years of Darlington Manor and its somewhat misguided Lord, the story is told through the eyes of Mr.Stevens, the uncompromisingly servile Butler. The few relationships he has allow the presence of other characters, yet the arrival of Miss Kenton, the Housekeeper begins the story of painful formality, blinding honour and emotional denial.

Hopkins as Mr. Stevens is full of sullen magnificence, bringing a tremendous charisma and power through nuances alone as his script from beginning to end is purposefully formal and bland.

Thompson's character brings colour and vitality to the vacuous and cheerless Manor, it is her struggle to break the barriers of professional conduct between herself and Stevens that creates the heartache at the centre of both the book and this film.

The patient direction allows us to appreciate the passage of time over the plot of the film, jumping between past and present, we feel more for the emotionally beleaguered Stevens as we appreciate the internalised nature of his life.

The acting on all parts is both high calibre and emotionally draining, an absorbing costume and set design make the story all the more absorbing. The sub-plots are all neatly tied up by the end, leaving the tale of misspent time and lost opportunity seeping from Hopkins truly remarkable performance.

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6 out of 7 people found the following review helpful:

Rated 1.0 stars
Total waste of time!!!

Jamjar1 from , 18th August, 2007

What a waste of two hours! The acting was excellent, but the story was utter dribble! There were simply NO plot! All it showed was that politicians and the uppercrust think nothing of the little people, which we already know anyway! The settings, locations, & the time period were all beautifully co-ordinated, but the story was utter rubbish, the ending was THE most pathetic I've ever seen! It's a great film for nostalgia, for those who were around at that time, but other than that, don't bother! 24 & Prison Break fans keep well away from this film, it will leave you nothing but frustrated!

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6 out of 7 people found the following review helpful:

Rated 5.0 stars
More than just a film

David Hunt from Romsey, Hampshire., 26th November, 2004

I had seen The Remains of the Day on its cinema release and have bored many people with my insistance that they take the time to view it. Sir Anthony Hopkins could not have performed better and with such a strong cast and wonderful script the film is not just entertainment but a lesson for those wanting to understand what good acting is really about. My favorite film of all time!

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Most recent reviews

Rated 5.0 stars
Hopkins is a god.

Bojarkus from , 9th March, 2010

A well cast, brilliant film. Yet rather slow and drawn out ending. Hopkins and Thompson rarely get better than this.

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Rated 2.0 stars
SLooooooooW

A Customer from Bristol, 25th January, 2010

I was really lookng forward to this film as I like Anthony Hopkins and Emma Thompson. It started well and the first 45 minutes weregood, setting the scene etc, but the rest of the film just didn't seem to GO anywhere. There was very little plot, hardly anything happened, it was all very, very slow and I was left at the end saying 'What WAS the point of that'. I LOVE period dramas and am used to the slower beautiful pace of them, but if this had gone any slower, it would have gone backwards!

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Rated 4.0 stars
Entertaining with political interest

Antollamh from , 23rd December, 2009

I enjoyed this film, set in the 1930s. It is also a good reminder of how many of the British ruling class were Nazi sympathisers.

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Rated 5.0 stars
Perfect

richiemassey from from London, 27th November, 2009

If you loved the book- and it made me weep in one line - then you'll adore this film, which dispels in one fowl swoop the myth that cinema can't emulate literature. Anthony Hopkins is what you always imagined Mr Stephens to be. Emma Thompson never lets the film become sentimental. If only they could do the same with Never Let Me Go.

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