Princess Mononoke
(1997)

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A beautifully realized tale of civilization versus nature, PRINCESS MONONOKE is a true epic by Japan's master animator Hayao Miyazaki. While protecting his village from a rampaging boar-god, the warrior Ashitaka (Billy Crudup) is cursed with a rapidly spreading scar that threatens to end his life. Seeking a cure and a reason for the animal-god's attack, he journeys into the sacred depths of the Great Forest Spirit's realm. On the edge of this once serene forest, however, the Tatara clan have begun to destroy the surrounding land to produce iron. In retaliation, San (Claire Danes), the adopted daughter of the wolf-god Moro (Gillian Anderson), has begun raiding the Tatara fortress to stop their encroachment. Soon Ashitaka is caught in the middle and must stop the war between the humans and the forest dwellers before they destroy each other. Miyazaki, who was personally responsible for 80,000 of the film's 144,000 hand drawings, uses the story's lush feudal setting as a character unto itself, filling the screen with vast mountainous landscapes and gorgeous wooded glens that recall his early film, NAUSICAA OF THE VALLEY OF THE WIND. The film also features battle sequences that are reminiscent of the stunning live action warfare in Akira Kurosawa's RAN. The startlingly fluid movements of these mythological characters are detailed far beyond any other hand-animated production, easily making this one of the most spectacular animated films ever made.
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The highest-grossing Japanese film of all time is a luxuriously animated legend of ancient gods going head to head with mankind and industry over the balance of nature. Released through Disney offshoot Miramax, the English-language version of this boldly surrealistic and starkly experimental cartoon is beautifully drawn, using the inspiration of classic Japanese artwork, and drums home a modern ecological message with a feminist bias. Set in the 14th century, it's a complicated tale of cursed Prince Ashitaka condemned to roam the land looking for a way to lift the malediction that has given him various supernatural gifts. After encountering bloodthirsty samurai, corrupt priests, friendly sprites and the evil Lady Eboshi who owns a giant iron foundry, he joins forces with San, the Wolf Princess, to ensure capitalistic progress will not be won at the expense of the woodland creatures. Director Hayao Miyazaki expertly weaves Asian folklore and contemporary issues with breathtaking designs and colour palettes. The realisation of the Deer God as a psychedelic Godzilla is a masterstroke.
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