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The Watcher (2000) Certificate 15

The Watcher
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Rated 3.0 stars
Average rating
(56%)
 
Starring: James Spader | Marisa Tomei | Keanu Reeves | Chris Ellis | Ernie Hudson | Robert Cicchini | Jennifer McShane
Director: Joe Charbanic
Studio: UNIVERSAL PICTURES UK
Run time: 93 mins
Genres: Thriller
Languages: English
Hearing-impaired: English
Subtitles: English
Released: February 18, 2002

A stylish thriller that recalls David Fincher's SEVEN, THE WATCHER is set in the urban landscape of modern Chicago. The story follows Los Angeles transplant Joel Campbell (James Spader), an ex-police detective who has relocated to Chicago in order to escape his past. It appears that a dangerous serial killer, David Allen Griffin (Keanu Reeves), has formed a special emotional attachment to Campbell, luring him to Chicago in order to continue their deadly game of cat-and-mouse. Each game commences when Griffin sends Campbell a picture of a young girl, giving Campbell 24 hours to track her down before she's murdered. After three tragic failures, the stakes are upped when Griffin kidnaps Campbell's beautiful psychiatrist, Polly (Marisa Tomei), mimicking an earlier event that drove Campbell to Chicago in the first place.
THE WATCHER is a commentary on modern society's effect on people: making them crudely unable to notice the peripheral people in their daily lives. First-time director Joe Charbanic shoots his film like a music video, using elliptical editing, slow motion, and a postindustrial soundtrack that greatly reflects the Chicago music scene. As the tortured detective, Spader possesses an internal fire that gradually builds in intensity as the film progresses.

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Rating of 2 stars out of 5
Radio Times

Keanu Reeves's eclectic choice of roles finds him straying into Anthony Hopkins territory with his portrayal of an FBI-taunting serial killer. On the evidence of this dismal thriller, Hopkins doesn't have much to worry about. Reeves is the strangler who's relocated to Chicago to continue his game of psychological warfare with James Spader's troubled agent. There are a few creepy sequences, but pop video-maker and first-time director Joe Charbanic never manages to sustain a credible air of menace. Spader is his usual accomplished self, while Marisa Tomei does her best with a rather unconvincing role as Spader's therapist. But the big problem here is Reeves, in a role that was supposedly expanded from a cameo. He's meant to be diabolic but instead comes across as just plain smug.

Highest rated reviews

7 out of 8 people found the following review helpful:

Rated 4.0 stars

Michael#326 from HEREFORD, 17th May, 2004

In my humble opinion Keanu Reeves plays the villian better than he does the hero. There is something about his acting that makes you think that he could cross the line into madness very easily, whatever the role he is playing, so this film suits his acting style to a tee, as he plays a murderous nutter taunting the investigating policeman (James Spader, in one of his better roles) with his crimes. And he plays this sadistic villian very well indeed.

This is a stylish film that keeps you watching to the bitter end, without sudden urges to go and make a pot of tea. Good plot, good acting, and a nice bit of tension building. I would say that it is well worth the effort of renting.

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4 out of 6 people found the following review helpful:

Rated 1.0 stars
Pointless Bile

Jace from , 15th March, 2005

This film had promise, and did nothing at all with it. The plot's got as many twists and turns as an airport runway, and generates as much suspense as a relaxing day at the beach. Keanu Reeves gives yet another dire performance. The rest of the actors do a reasonable job with the weak material, but at the end of the day this film is nothing more than a thursday night, channel 5 affair. A total waste of 2 hours.

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3 out of 3 people found the following review helpful:

Rated 2.0 stars
Gripping, well almost

BartMart from South Yorkshire, 13th February, 2004

Not a bad film by far but still left you thinking that there are better films of the same genre which are better. Keanu Reaves just isn't 'Baddie' enough, he should stick to 'pretty' films.

A one time watch only then stick it on the shelf to gather dust.

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2 out of 2 people found the following review helpful:

Rated 1.0 stars
Watcher let down!

seaempty from Hampshire, 30th October, 2003

Putting it bluntly, this film was uninspiring. It's not dire, by any means, but it just isn't anything. The characters do not do anything to make you interested, and the plot is a dull. It doesn't try to be clever (which is not a bad thing), but I kept looking into it too much, expecting there to be a neat twist, which there just wasn't.

The film ends leaving you feeling that you could have spent the last hour and a half doing the washing up and ironing, which would probably have been just as interesting.

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Most recent reviews

Rated 3.0 stars
The Watcher

dolphie from , 17th September, 2009

I realy enjoyed this title, very grpping on the edge of your seat thriller.

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Rated 3.0 stars
The watcher

leigh878787 from , 12th February, 2009

Ok for a Saturday night ...nothing special

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Rated 4.0 stars
Fantastic

AllieinLancs from , 15th July, 2008

Despite the quite predictable ending, this film was brilliant. A change to see Keanu Reeves in the role as the bad guy. Superb acting from him and from James Spader

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Rated 2.0 stars
Customer Review

A Customer from UK, 23rd June, 2008

The storyline of this film doesn't offer anything new - hack roles of copper with issues, charismatic serial killer and token female in distress. Despite that, I was drawn to by its (ordinarily strong) cast. Keanu Reeves, when stretched is very good (see A Scanner Darkly and The Gift). Unfortunately, Reeves plays his serial killer as a maturer version of Ted (of Bill and Ted) so didn't strike me as particularly credible.

It's not entirely his fault, the script and screenplay seem to have been cobbled together from a thousand others from the same genre. As such the characters were two dimensional and lacked motivation. If Reeves had any, it was 'You're killing because you've been cast as a killer', and not because his character had pyschopathic tendencies.

Maria Tomsei as the Spader character's psychiatrist lacks the authority that comes with that postion. Her body language during their sessions suggests she's uncomfortable and she'd rather be somewhere else. Hunched up in her chair, she looks faintly embarassed. It's not just her, the entire cast have an air of 'We signed a contract; let's just get this over with.' about them.

Spader, is definitely on screen but is absent in spirit. I can't help wondering if the film would've been any better if Spader and Reeves had switched roles.

This film may have been less dreadful if it didn't have pretension of being directed by Michael Mann. The overpowering and inappropriate music soundtrack destroys any atmosphere built and Charbanic's attempts at homage to (or just plain ripping off) Mann are amateurly executed.

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