Requiem For A Dream
(2000)
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For his follow-up to his darkly brilliant debut, PI, director Darren Aronofsky chose to adapt a tough and meaty piece of work: Hubert Selby's 1968 novel REQUIEM FOR A DREAM, a dark spiral into the abyss of barren fantasies doomed to extinction. However, in Aronofsky's frenetic, visionary, unique, and disturbing style lies the perfect setting for this story of four people whose intertwined lives are filled with eternally hopeful despair. This is a different sort of horror film. Harry Goldfarb (Jared Leto) and Marion Silver (Jennifer Connelly) are lovers in Brooklyn with dreams of setting up a small business and spending the rest of their lives in love--their version of the American dream. The two are also desperate heroin addicts, a compulsion that darkens their lives and leads Harry to repeatedly pawn his mother's television. His mother, Sara Goldfarb (Ellen Burstyn), is addicted to television, which is why she keeps replacing the stolen set. One day she receives a call from her favorite show, the surreal TAPPY TIBBONS SHOW, and learns that she has been selected to appear on an upcoming broadcast. When she can't fit into her best red dress, her doctor prescribes diet pills (uppers), to which she swiftly and painfully becomes addicted. Harry's cohort, an intelligent hustler named Tyrone (Marlon Wayans), completes the foursome. With its unflinching dissection of addiction, REQUIEM FOR A DREAM is a psychologically disturbing, visually captivating depiction of lost hope. The last half hour of the film is among the most harrowing of any film ever made. |
Screenshots
The creeping menace of addiction — in all its forms — is the subject of Darren Aronofsky's powerful adaptation of Hubert Selby Jr's novel. Junk TV shows, diet pills and Class A drugs are the lifeblood of these doomed characters. Ellen Burstyn is the widowed mother hooked on game shows and sweet foods, whose desperate bid to lose weight leads to hallucinations and increased loneliness. Her heroin addict son (Jared Leto) and his friend (Marlon Wayans) pawn the TV for drugs money, while Leto's girlfriend (Jennifer Connelly) degrades herself at stag parties. Making stylish use of the split-screen technique, huge close-ups and exaggerated sound effects, Aronofsky depicts the highs and lows of drug-taking — to chilling effect. Like Trainspotting and Drugstore Cowboy before it, this is a powerful and unnerving trip into the narcotics dependent darkness of modern America.
Halliwell's Film Guide
Grim, unrelenting drama of desolation and despair, in which the energy comes from a visual style that effectively mimics the disjointed and distorted effects of drug-taking.