Billy Elliot
(2000)

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Features the films BILLY ELLIOT and SIXTY SIX, which both chronicle an adolescent boy's difficulties with his family. In BILLY ELLIOT, the titular character (Jamie Bell) is an 11-year-old boy living in north-east England in the mid-1980s. While his gruff father and brother are taking part in a massive coal miners strike, Billy goes to boxing lessons and furtively plays his dead mother's piano out of loneliness. One day Billy notices a ballet class nearby. Intrigued, he begins practicing and taking lessons from Mrs. Wilkinson (Julie Walters), a tough-minded teacher. Billy begins to fall in love with ballet but keeps his lessons a secret from his family, who struggle to put food on the table while the strike drags on. When his father finally learns the truth, a family crisis erupts, and Billy struggles to prove that dancing is more than just a hobby--it's his dream. SIXTY SIX is set in the summer of 1966 and England is swept by World Cup fever. 12-year-old Bernie Reuben is also excited but for a different reason. He is looking forward to his Bar Mitzvah, the day when he becomes a man. However, the 1966 World Cup Final is scheduled for the very day of his Bar Mitzvah, leading to the possibility of a complete disaster for Bernie.
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Stage director Stephen Daldry's debut feature is an amiable study of daring to be different in the face of intractable tradition. Comparisons with Brassed Off and Kes come to mind, but the decision to set the story of an 11-year-old north-easterner's bid to become a ballet dancer against the backdrop of the 1984 miners' strike has more emotional resonance than social relevance. It's the heart, not the conscience, that Daldry is keenest to tweak, and he succeeds triumphantly, thanks largely to Jamie Bell's eager performance in the title role (for which he won a Bafta), and the marvellous supporting turns from Gary Lewis as the lad's reactionary dad and Julie Walters as his chain-smoking dance instructor.

Halliwell's Film Guide
Ingratiating, uplifting drama, deftly directed and with strong performances that disguise until later how manipulative the narrative is; its feel-good ending, though, is a cheat.
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