When released theatrically in 1932, FREAKS was met with near universal disgust by critics and audiences alike, lasting in theatres for only a short time in the states and banned in England. The film stars Harry Earles as Hans, a suave midget who belongs to the sideshow of a seedy circus and who makes the mistake of falling in love with the beautiful Cleopatra, one of the normal circus performers. Learning that Hans is about to inherit a fortune, Cleopatra agrees to marry Hans even though she abhors him, planning to steal his money and get rid of him. When the freaks of the circus, who keep a watchful eye on Cleopatra, discover her scheme, they plan to exact an unforgettable revenge. Far more unsettling than Browning's best known horror film, DRACULA, FREAKS has long been neglected due to its subject matter, even though it is a genuinely effective film. Gripping and often creepy, FREAKS manages to humanize its main performers, even looking at them with a sense of awe. By contrast, the normal performers in the film are largely hateful creatures who turn out to be much more repellant than their deformed colleagues. Both an excellent horror film and a unique look at the lives of sideshow performers, FREAKS is a chilling movie whose final ten minutes are some of the most harrowing in all of cinema.
Still banned in some countries, and suppressed in others for decades, this unique classic from Tod Browning, director of the original Dracula, remains one of the most nightmarish yet compassionate horror movies ever made. Browning cleverly draws the viewer into an enclosed carnival society (featuring real circus anatomical oddities essentially playing themselves) with its attendant bonds, codes and rituals, and then chillingly shows what happens when a normal human — conniving trapeze artist Olga Baclanova — breaks them with a swindling scam. A deserved cult masterpiece, this tale of the macabre, with its blood-freezing shock ending, is incredible, disturbing and, once seen, never forgotten.