The Idiots
(1998)

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Lars von Trier's first contribution to Denmark's Dogme 95 collective (subtitled "Dogme 2," following Thomas Vinterberg's THE CELEBRATION) concerns a group of adults who decide to get in touch with their "inner idiot." When Karen (Bodil Jorgensen), a shy, sensitive young woman, follows a group of mentally disabled individuals home after an encounter at a restaurant, she discovers that they are, in fact, healthy and intelligent. Led by Stoffer (Jens Albinus), the group lives communally in his wealthy uncle's house. Stoffer believes that by "spassing" in public they are rejecting the conformity and normality of modern society, and he spends his unemployed days thinking of different ways to toy with the world at large. Shot with handheld digital cameras and using natural lighting and natural locations, THE IDIOTS possesses an urgency that makes it feel like a documentary. Von Trier sparked a heated controversy with his decision to film the sex scenes with actual intercourse, adhering to the Dogme tenets. (He hired porn actors for the close-ups.) This controversy aside, the film nonetheless raises questions about cultism, modern ethics, and the idea of individuality within the absurdity of the characters' world.
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The third film to emerge from the Dogme 95 collective (following director Lars von Trier's own Breaking the Waves and Festen), this controversial comedy drama utilises the group's complete rejection of film-making artifice to maximum effect and creates a uniquely unsettling experience. Von Trier thrusts his hand-held camera in the middle of a bunch of Danish drop-outs, who test the waters of cultural acceptance by pretending to be mentally disabled in all manner of public places. Although uncomfortably comic in its portrayal of people feigning disability, the disturbing (and for a few seconds pornographic) content is balanced by mesmerising naturalistic performances, emotionally engaging situations and an ultimately liberating message.
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