Sleepy Hollow
(1999)
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In Tim Burton's stylish, creepy retelling of the classic Washington Irving story, SLEEPY HOLLOW, Ichabod Crane (Johnny Depp) is a squeamish, bookish 18th century New York City investigator sent to a small town in lower Westchester county to look into three mysterious decapitations. When the always rational Crane arrives at the little Dutch village, he finds that most of the townsfolk believe the culprit to be the Headless Horseman, the ghost of a monstrous Hessian soldier (Christopher Walken), who seems to be mysteriously tied in to one of the town's most prominent families. Burton's natural instincts for campy humor, combined with the hauntingly gorgeous technical work (Emmanuel Lubezki's cinematography and Danny Elfman's score included), collide to create a work of exhilarating entertainment and poetic storytelling. Miranda Richardson, Casper Van Dien and Christina Ricci help make up an ensemble cast that, combined with the historically accurate village sets and dreamlike magic of the haunted Western Woods--created on the largest sound stage in film history--makes SLEEPY HOLLOW a visually stunning, gripping, and, at times, chilling film. |
This supernatural gothic whodunnit is another beautifully crafted offering from eccentric maestro Tim Burton. With a perfect cast milking every sinister nuance, Burton's clever take on Washington Irving's timeless tale of terror uses the classic look of Hammer's golden horror era to stunning effect. Johnny Depp, sporting a clipped English accent, is brilliant as maverick police constable Ichabod Crane, sent to the small New England community of Sleepy Hollow to investigate three mysterious beheadings, which the locals are blaming on the ghost of the legendary Headless Horseman. Cruel shocks and subversive thrills combine with sly humour in a stunning movie that's steeped in Burton's Grimm fairy-tale sensibilities and unrestrained love of the fantasy genre.
Halliwell's Film Guide
This is yet another 'B' movie with pretensions, a big-budget Hammer-styled horror. It succeeds only on the level of design and atmosphere; the narrative creaks, and the performances tend to eccentricity for no good purpose.