Time Of The Wolf
(2003)
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Michael Haneke's TIME OF THE WOLF is an emotionally riveting film that takes place in post-apocalyptic rural France. Keeping the film at a constantly tense level even though the characters are for the most part calm and logical, Haneke has mastered the art of controlling his audience. Viewers will find it hard to look away from the screen--or even move in their seats--as they sit frozen by the powerful performances of Isabelle Huppert and Anais Demoustier. The story follows a family of four who load up their supplies and retreat from Paris after a disaster leaves the water contaminated and livestock sickened, causing the government to put sanctions of food and fuel. Arriving at their country house, the family is attacked, their patriarch is murdered, and their supplies are stolen, leaving Anne (Huppert), Eva (Demoustier) and the fragile young Ben (Lucas Biscombe) to wander the bleak countryside in a fervent search for justice and protection. Settling into a makeshift commune in a railroad station, the threesome struggle to make it through each day among chaos, prostitution and rape, competitive barter for food and water, and long episodes of their companions screaming or sobbing. Depressing and frightening, yet totally compelling, TIME OF THE WOLF is a myth with epic feeling. Most of the action takes place off-screen as the protagonists react, and this method of storytelling infuses the film with natural suspense. The result is one great big deep and eerie shiver. |
Screenshots
Set against the bleak backdrop of an unexplained apocalypse, this drama displays director Michael Haneke's despair of society's bestial excesses, but it also shows that he has clearly not lost faith in humanity or in its potential for salvation. Once again managing to make violence seem shocking rather than a casual movie occurrence, Haneke pitches Isabelle Huppert and her children Lucas Biscombe and Anäis Demoustier into a nightmare that begins with the murder of her husband and deepens on their arrival at a railway depot presided over by Olivier Gourmet. Jürgen Jürges's nocturnal photography is outstanding and the performances painfully intense, but Haneke's dystopian vision won't persuade everyone.
Halliwell's Film Guide
A grim but engrossing account of humanity in chaos, where casual murder, bigotry and superstition flourish amid occasional acts of kindness and compassion. Filmed in often stygian darkness, it is not always easy to watch, but it ends with images that poss