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Victim (1961) Certificate 12

Victim
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Rated 3.5 stars
Average rating
(71%)
 
Starring: Dirk Bogarde | Harold Pinter | Sylvia Sims | Sylvia Syms | Michael York | Dennis Price | Hilton Edwards | Jack Warner | Derren Nesbitt | Vivien Merchant | Patrick Magee | Peter McEnery | Tom Courtenay | Bernard Lee | Jacqueline Sassard | Sarah Miles | Jam
Director: Basil Dearden
Studio: ITV STUDIOS HOME ENTERTAINMENT
Run time: 96 mins
Genres: Drama
Languages: English
Hearing-impaired: English
Released: January 26, 2004

An intriguing story of an eminent barrister who reveals his homosexual past to thwart blackmail.

Rating of 3 stars out of 5
Radio Times

Not a great movie, but a ground-breaker in its depiction of homosexuality, this film marks Dirk Bogarde's brave bid to break free of his matinée idol image. He plays a homosexual barrister whose former lover commits suicide after he's arrested to protect Bogarde's name. Bogarde can either say nothing or “come out”, putting a strain on his marriage to Sylvia Syms and possibly ending his career. By today's standards the film is tame, and director Basil Dearden insisted that homosexuals should be called “inverts”. However, the movie refuses to glamorise its subject, depicting homosexuality in every sidestreet, every Rolls-Royce and every club in town, stopping short only at Downing Street.

Rating of 3 stars out of 5
Halliwell's Film Guide

A plea for a change in the law is very smartly wrapped up as a murder mystery which allows all aspects to be aired, and the London locations are vivid.

Highest rated reviews

12 out of 20 people found the following review helpful:

Rated 5.0 stars
An excellent film

sara from Derbyshire, 4th November, 2004

This is a must for all. The film explores the time when gay men were being imprisoned for having a relationship. As a result many men were being blackmailed. The film shows how a lawyer (Dirk Bogarde) is implicated and how he decides to deal with it. Do you pay the money or fight the bigotry?
This film apparently was very influential in changing the laws around homosexuality. It is well filmed, not in your face, and should get you thinking.

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5 out of 6 people found the following review helpful:

Rated 3.0 stars
Classic Daring Film Noir

SolarvanMan from from Thirsk, 22nd December, 2004

As a straight couple my wife and I really enjoyed this film. Dirk Bogarde was on top form as the blackmailed homosexual lawyer in turmoil with his sexuality and responsibilities.

A great cast dealt well with what was very riske material at the time. The well known faces who 'came out' as the film went along seemed to realise what an important film this was. A simple blackmail story with this cast would have made a good film. However the delicate subject matter injected a tension and danger into the whole production that raised it to a higher level. Whether we agree with homosexuality or not, whether we are straight or gay, we can all empathise with the persecuted in this film.

Recommended.

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2 out of 2 people found the following review helpful:

Rated 5.0 stars
A CLASSIC

A Customer from Wakefield England, 16th January, 2005

This is a classic film - drama at its best - and an interesting insight into what was once a taboo subject. Very well directed and excellent casting giving a result of acting at its very best. A film not to be missed.

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2 out of 2 people found the following review helpful:

Rated 5.0 stars
Way before its time

stephenLondon from from LONDON, 18th July, 2004

This film is a remarkable study of life before homosexuality was decriminalised. Excellent performances all round and a surprise outcome.

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Most recent reviews

Rated 5.0 stars
True British classic

A Customer from Truro, 17th July, 2009

I saw this film at the cinema when it was released and it was one of the first films to deal with the hostility towards homosexuality along with two Oscar Wilde films. i thought it a brilliant film on all fronts, very shocking in its day,very thought provoking. Having now viewed it again, I was truly impressed by how good it was. A wonderful script and cast, especially Sylvia sims, gives the film a depth and believable quality not bettered in films made more recently. A multi layered movie, that never falters, and a truly stands as a British classic.

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Rated 4.0 stars
A mixed collection, but the best is very good

Savage from from London, England, 25th April, 2008

I have posted on the excellent 'Accident' elsewhere, and not all of the other films on this collection are quite up to standard, but it might be worth spending a few minutes on 'The servant', Pinter and Losey's previous collaboration with Bogarde. Made as an avowedly commercial project after Losey's 'Eve' had been savaged by critics and audiences alike, it tears away at the English class system, setting a northern 'servant' in opposition to his Chelsea-based 'master'. So much, so obvious, and few people could call the film subtle in any way, yet the director manages to create a great deal of genuine suspense (it was even called an horror film in some quarters on its release) in playing off the central characters, as the master is gradually humiliated until he has nothing left. The house itself is the real star here, a cold collection of oddly-shaped rooms, long corridors, staircases and hidden doors, it is not unlike something that late-period Kubrick might have created, and Losey's camera glides around it, insinuating itself into the nooks just as Bogarde's servant does. Creepy and sexy, and good enough to overcome the obvious flaws (it is not a coincidence that we first see Bogarde, during the credits, standing outside Thomas Crapper's sanitary engineers' shop).

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Rated 5.0 stars
Simply Great

Abdullah Naveed from London, UK, 26th June, 2007

This was an awsome 1961 London movie to watch. The actors had a nice theatrical flavour to them and the scenes had force that struck you hard. I am guessing that this would be the talk of the town movie of its time.

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Rated 4.0 stars
An overlooked Gem

boosh39 from , 12th February, 2006

One of the earliest of my home-recorded films - I've had it on VHS for nearly 20 years, this film never ceases to command my full attention. Bogarde bravely went against type for this film (and some!), switching from matinee idol to closeted homosexual. For an 'issue-led film', 'Victim' does not sacrifice compelling drama for shrill preaching. A classic.

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