Pi
(1999)

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Low-budget film that won Aronofsky "Best Director" at 1998's Sundance Film Festival. Gritty, inventive black-and-white photography drives this story of genius mathematician Max Cohen who is exploring the possible existence of discernible patterns in the stock market. With the aid of Euclid, his home grown supercomputer, Max stumbles upon a bug that crashes his system and spits out a seemingly meaningless number. A knowledgeable friend gives him insight using the ancient game of Go and warns of the spiritual ramifications of powerful numbers. A Hasidic cabalistic sect and representatives from an extremely powerful Wall Street firm then attempt to extract the number from him, by whatever means necessary, for their own ill-gotten gains.
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In this fascinating thriller, Sean Gullette plays a reclusive maths genius who becomes obsessed with the notion that everything in the universe can be broken down into mathematics and therefore follows a predictable pattern. Shot in black-and-white and marking the feature debut of Darren Aronofsky, it's filled with complex issues (can Gullette's gift be used to decipher the true name of God?) and makes arresting use of disorientating camerawork to depict Gullette's distorted view of the world. But, despite its many virtues, Pi becomes increasingly hard to follow because of an overload of intricate ideas that could baffle even Stephen Hawking.
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