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The 25th Hour (2002) Certificate 15

The 25th Hour

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Rated 3.0 stars
Average rating
(63%)
 
Starring: Edward Norton | Philip Seymour Hoffman | Barry Pepper | Rosario Dawson | Anna Paquin | Brian Cox
Director: Spike Lee
Studio: TOUCHSTONE HOME VIDEO
Run time: 129 mins
Genres: Thriller
Languages: English
Hearing-impaired: English
Subtitles: Spanish, Swedish, Norwegian, Danish, Finnish, Greek, Russian, Estonian, English
Released: October 27, 2003

Spike Lee's bracing adaptation of David Benioff's novel is a vibrant, vital motion picture. Edward Norton plays Monty Brogan, a harmless drug dealer who has 24 hours of freedom before serving a seven-year jail sentence. Nervous, confused, and terrified, Monty turns to his closest friends for support: Frank Slattery (Barry Pepper), a cocky stock broker who resents Monty for throwing his life away; Jakob Elinsky (Philip Seymour Hoffman), a hapless high school teacher who is attracted to one of his students (Anna Paquin); and Monty's heartbroken father (Brian Cox), who blames himself for Monty's demise. And then there is Naturelle (Rosario Dawson), Monty's beautiful girlfriend, who may or may not be guilty of shopping Monty to the cops. Monty spends his last day trying to ignore the inevitability of time, but everyone and everything only reminds him of the bleak, unpromising days that lay ahead.
With 25TH HOUR, Spike Lee revisits the fiery territory of 1989's DO THE RIGHT THING. Frustrated by Hollywood's seeming denial of the events of September 11th, Lee creates a film that brilliantly captures the mood and atmosphere in New York City in the months following the attack.

Screenshots

Rating of 3 stars out of 5
Radio Times

Fine ensemble acting and the frisson of this being the first film to use post-11 September Manhattan as a bleak character mirror make this edgy version of David Benioff's novel one of director Spike Lee's better dramas. Due to begin a seven-year prison sentence, drug dealer Edward Norton spends his last day of freedom hanging out with his friends, his father and girlfriend, taking stock of his life and weighing up his choices: should he give in gracefully, flee or commit suicide? Lee's pace may be a little too leisurely at times, but the sense of human aimlessness and desolation is still powerfully conveyed and leaves a lasting impression. The secondary characters (such as Philip Seymour Hoffman's high-school teacher) often eclipse Norton's predicament in curiosity value, but his anguished, five-minute rant against the world sears the mind, as does the viciously disturbing finale.

Rating of 1 stars out of 5
Halliwell's Film Guide

A sometimes turgid, very occasionally striking, drama of a man regretting his choices in life, and what awaits him in prison; setting it in the aftermath of 9/11 and the destruction of the World Trade Center only diminishes the movie's impact.

Highest rated reviews

31 out of 33 people found the following review helpful:

Rated 4 stars
Spike back in top form

Laurie from East Grinstead, England, 24th February, 2004

Tremendous Spike Lee joint, the director is getting back to form. After the great Summer Of Sam, this Lee film is even better as the superb Norton plays a pusher about to start a stretch in prison, and saying his final farewells. Not knowing who betrayed him, suspicious of his girlfriend whom he suspects, his last night spent with her and his two very different friends makes his final night very tense. And Lee draws this tenseness out, so you could almost swallow it. Great backup performances too, especially from the consistant Seymour Hoffman and a very intelligent potrayal of the victimised girlfriend by Rosario Dawson. Get this out, you will be well rewarded.

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8 out of 9 people found the following review helpful:

Rated 4 stars
Politics without passion

SimonandPhilippa from London, 24th January, 2004

Spike Lee has turned out another ‘meaningful’ film, exploring his usual themes of racism and social responsibility. We are deep in post 9/11 reflection territory, and the shadow of the twin towers looms large, with the two beams of light shooting into sky under the opening credits, and Monty’s friend’s apartment looking out over Ground Zero and the crawling trucks clearing the wreckage. The film questions the morality of almost every stereotypical character, the arrogant stockbroker, the lecherous teacher, the gold-digging girlfriend who is Monty’s potential betrayer, but beyond the odd mention there is little to suggest that Monty himself is at fault, despite his dealing. After all, the first we see of him is rescuing a dog that’s been left for dead, so he must be a nice guy really. There are all Lee’s trademarks here, the racist rant to camera including shots of the relevant ethnic groups, the stagey lighting that never quite makes you believe it’s real life, and the almost underage women who seem to exist here purely for the male characters’ titillation. The film is beautifully shot and all the reflective surfaces and overly intrusive music to make sure we’re paying attention convey the impression that it is ‘important’. Lee is adept at conveying the tensions of multicultural New York, but he’s done it better before, and despite the powerful evocation of a wasted life and the terrible countdown to Monty’s entry to hell this just feels like something’s lacking.

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6 out of 6 people found the following review helpful:

Rated 5 stars
More great Spike!!!

Jamie from Portsmouth, 22nd February, 2005

Either you are a Spike Lee fan or not. If you are then you will love this! It is hard to say what genre it belongs to apart from being a 'New York' film. The film isn't fast and if you want action look elsewhere, but this film is an outstanding piece of cinema. The direction is great as is the cinematography, script and acting, notably Brian Cox. However everyone else gives the performances of their career!! It is also the first post 9/11 'New York' movie and i doubt their will be a better one. It has a strong and daring 9/11 subtext but hey it wouldn't be Spike without daring! The extras include two very good commentaries from the writer and spike and a documentary which tries to put spikes career in 20 minutes!!! If you are a Spike fan you will watch this over and over again. If you have not experienced Spike before then i would suggest start with 'do the right thing' and work your way through the films of his career up to this film.

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6 out of 6 people found the following review helpful:

Rated 4 stars
Hard viewing, but worth it!

A Customer from Yorkshire, 13th June, 2004

Easy to watch this film isn't, Brilliant it is. It has to be one of the most depressing films I've seen in a long time, you feel so sorry for Norton's character by the end it has you praying for a happy ending, but it never comes.
Directing is brilliant, acting is on form also, the tension build up in the film will have you transfixed to the tv throughout.
Its all together a very solid package and well worth a view.
Also a must to check out is the deleted scenes, there is a scene called SWAY, it is one of the coolest looking pieces I have seen this year, it oozes cool. I can understand why they deleted it because it doesn't fit with the feeling of the film, but damn its good

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Most recent reviews

Rated 4 stars
Good job by Lee

A Customer from Rugby, 4th March, 2010

This is good story telling by Spike Lee. Really well acted, led by Ed Norton's haunted lead. Could be criticised for being a bit slow and, at times, depressing. I found it a good tale all the same.

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Rated 1 stars
Who cares?

Bellos from , 7th February, 2010

This film is clearly trying to say something but just doesn't succeed in being interesting enough for anyone to care. I love Edward Norton but he made a bad decision here. Boring and very dull.

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Rated 1 stars
Dont get this

A Customer from Derry. Northern Ireland, 29th June, 2009

Was totaaly disappointed at the whole film. I thought, with Norton in it, it would be good. how wrong i was for watching this awful film

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Rated 4 stars
A worth addition to the Spike Lee collection

MrAndyC from , 4th May, 2009

Spike Lee is a director who keeps improving with age. This is a very powerful film, which primarily relies on the dialogue rather than action. The slilioquy in front of the mirror makes uncomfortable viewing, but is still worth bearing with.

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