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Writer/director Neil Marshall earned the respect of horror devotees with his first two features, DOG SOLDIERS and THE DESCENT, refreshing and scary twists on the werewolf and expedition-gone-wrong genres. Where those works exemplified a respect for pure horror, devoid of the tension-spoiling comedy that infects most fright films, DOOMSDAY is Marshall's love letter to the post-apocalyptic action-exploitation films of the 1980s. Bubbling over with action, gore, and dark humour, his third film has all the bases covered for a fun and knowing viewing experience. After a deadly plague results in the quarantine of Scotland (in a scene reminiscent of I AM LEGEND), a wall is built around the country preventing anyone from going in or out. Thirty years later, the British government believes everyone within the wall to be dead, but when they find signs of life and learn of the possibility of a cure, a team of specially trained agents led by Eden Sinclair (Rhona Mitra) become the first outsiders to venture inside the country since the epidemic. They discover that there are plenty of survivors who have splintered into fierce, warlike tribes, living in a lawless society where cannibalism and murder are the order of the day. |
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Time Out
The Mohawk-sporting villain of Neil Marshalls futuristic action movie drives a Frankenstein car cobbled together...